PD in College classes
thana ag
anathga at hotmail.com
Thu Nov 22 22:23:35 CST 2007
Dear Adam,
Well put,if we decide redefine ourselves as Moreneans, something some of us have been doing already,without noticing. . But until then,if I understand Rebecca's response, and I am in total agreement with her, no one who is not properly trained as a psychodramatist be allowed or encouraged to do a demonstration of psychodrama. Too many people were hurt and turned off. To present a particular technique: empty chair,Role reversal,will not do much harm. But a whole psychodrama ?!
When Moreno Institute in NYC had open sessions,I remember quite a few times audience members wanting pointers from me as to how to present PD in their classroom. Could they? Like Rebbecca, I discouraged them actively. Of course some of them went ahead and did it. On occasion they would come back wandering why it did not work. Like watching a surgeon perform an operation,and embarking on doing the procedure without a training ....and wondering why the patient is bleeding ...
Few year ago I was invited to a psychodrama group reconstituted from members of a psychodrama group I was running for 16 years. I was appalled by what passed as psychodrama. It is exactly the subtleties that make this method an art. Otherwise it is the relationship that is the most healing aspect of any encounter ,as was the case of that group.
Happy Thanksgiving to all.
anath garber
From: adam at blatner.com
To: list at grouptalkweb.org
Subject: PD in College classes
Date: Wed, 21 Nov 2007 20:29:04 -0600
I agree with Rebecca in so many
ways!
Another colleague who taught
"psychodrama" had that class bounced in favor of evidence-based
(Cognitive-Behavior-Therapy) approaches.
I'm thinking that the
focus on the method is misleading. Relationship is more central, and good
psychodramatists often use non-action methods.
What if we thought of ourselves
as Moreneans---in the context of trans-therapy applications---and, in the domain
of therapy, as multi-dimensional psychotherapists? It's not a method, it's an
intelligent capacity to include all relevant approaches as seems appropriate to
the moment (and responding appropriately to the moment is the essence of
spontaneity).
Some of the dimensions I
refer to include
-- encouraging creativity and making the
client's creativity a goal that engages and strengthens the treatment
alliance
-- re-framing resolution not as knowing or
finding "right answers" but rather learning the art of improvisation, actively
seeking and utilizing feedback, re-adjusting response, improvising again... a
dynamic process
-- using role concept as the basis for a
more inter-disciplinary, user-friendly language for psychology
-- attending to relationship dynamics,
social network dynamics, cultural influences (using sociodrama to bring out
collective or role-based attitudes), etc.
-- taking into consideration the power
and prevalence of interpersonal preference, rapport (what is addressed by
sociometry)
-- addressing the wider society
as a place for social action, community effort, rather than just seeking
personal adjustment in an often pathogenic environment
-- appreciating the need for and
utilizing experiential forms of learning, action insight, act hunger, feeling
the body in action, direct encounter rather than talking "about,"
-- noticing and raising awareness of
the impact of nonverbal communications, one's own body language
-- recognizing and utilizing the power
of warming-up, the need for it, the need for gradual warming-down,
too..
-- integrating other dimensions of
group dynamics and using the other advantages of groups
-- re-evaluating and using other
time-dimensions, from brief interventions to more time-extended sessions; not
locked mindlessly into the convenient-for-the-therapist or
economically-reimbursable "hour."
-- making use of the client's imagery,
power of imagination
-- when appropriate, asking
clients to develop and exercise the skill of empathy towards others in their
social network,
-- addressing spiritual issues
and integrating the idea that there is a creative process in integrating
individualized concerns with larger belief systems
-- appreciating the power of
self-expression, being seen, witnessed, feeling heard, understood (the audience
function)
... and others. The point is that
many of these dimensions are insufficiently (or hardly, if at all) included in
many if not most ordinary psychotherapeutic approaches---especially those tied
to a "method."
What
Rebecca suggests, as I interpret it---or perhaps this is my own bias---is that
relationship is the primary element and methods are then utilized as adjuncts.
Warmly, Adam
----- Original Message -----
From:
HV Psychodrama
To: dkarner ; list at grouptalkweb.org
Sent: Wednesday, November 21, 2007 6:36
AM
Subject: Re: PD in College classes
Dear Deborah,
Thanks for helping get the word out that
psychodrama is not just a group of action techniques but part of a larger
system including a philosophy. It is so frustrating that people still
are being 'taught' psychodrama as either a bunch of techniques or as a re
enactment without warm-up, safety and containment. It gives what we do a very
bad name.
The other thing I have encountered a lot
are college students being asked to present psychodrama in their classes.
"Everyone had to pick a topic and I picked psychodrama and now I want to do
one in my class to show them...what would you suggest I do?" Often they will
then attend an open session and then want to go into their classroom to
demonstrate.
Recently I have been refusing to give
them exercises to do in the class, saying talk about it, don't do it if you
have no training. I have been encouraging them to have their profs contact me
and I would be glad to send a trained person in to 'do
it."
It is like someone reading about a
medical procedure, possibly observing it once, and then saying, Oh I can do
that procedure, without practice, without supervision cause I saw it
done.
So thank you again. And depending on
where you live, there might be a skilled psychodramatist quite willing to
present to your social work class.
Rebecca
Walters
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